Six tapestries created by artist Grayson Perry have been gifted to the Arts Council Collection and the British Council.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibbVw1jB9G-ynRM3sTQ8LLpljZG0RoWH4Z8XBAEnjTpCPdAYeDSpzjfzp91qklF5GOeqs2cQ2Y2VK6E_-sxWd-94FS4yKLHnDB4hyphenhyphenNa136-BloP6JFN2_rKZp0kmd93qNqUAjw8VVhAouD/s1600/_64483662_perry_464.jpg)
Inspired by William Hogath's A Rake's Progress, they each measure 2m x 4m.
BBC News - Grayson Perry tapestries gifted to nation
In the evenings there would be a group of men who would wander the streets, along with a musician.
This group would be called a "comus" and their fun songs a "comoedia". It doesn't take much to see where our word "comedy" derived.
Conversely, the sad songs of satyrs were called "tragoedia" from where of course we get the word tragedy.
Since masks were always a vital part of Greek theatre it was inevitable that masks would have eventually been created to depict the two foundational elements of Greek theatre.
The laughing comedy mask and the weeping tragedy masks were born and have been with us ever since.
As hard as it is to believe that something as simple as these two masks could have endured into the modern age with their original intent still being known and adhered to, that is in fact what has happened with these two masks.
So the next time you have an opportunity to view the comedy tragedy theatre masks do not be so quick to assume you understand them completely.
Remember their ancient roots and take a little time to appreciate their enduring power.
"I don't understand most art either."He Was amusing yet insightful.. and his work is Brickolage wayhey.... any seriously if you get a chance look this guy up, his work is amazing
There is this idea that sculpture is static, or maybe even dead, but I feel absolutely contrary to that. I’m not a religious person—I’m an absolute materialist—and for me material is exciting and ultimately sublime. When I’m involved in making sculpture, I’m looking for a system of belief or ethics in the material. I want that material to have a dynamic, to push and move and grow."
Shadow boxes become poetic theater or settings wherein are metamorphosed the elements of a childhood pastime. The fragile, shimmering globules become the shimmering but more enduring planets—a connotation of moon and tides—the association of water less subtle, as when driftwood pieces make up a proscenium to set off the dazzling white of sea foam and billowy cloud crystallized in a pipe of fancy."
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